“[F]iction gives people the possibility to look at the world from the perspective of another person’s life. Kundera calls this an ‘experimental self.’ Literature from other countries would possibly open up that space even further, and you’re not looking at the culture from the outside but from someone’s point of view who lives there or has grown up there.
As a translator she said she’d become very aware of the relation between culture and language:
Some expressions or experiences become embedded in language that is almost unique to that culture. Therefore the two are very closely related. So what you’re trying to do as a translator is to make the author you’re translating understood in your own language, while at the same time stretch your culture and language a bit to accommodate what makes their voice and experience different. Which in the end might change your own culture a little bit.”
SOURCE: Buchanan, Rowan H. “The Stranger’s Tongue.” Electric Literature.
Excerpt from Robert Zaretsky’s interview with Mohammad Hekmat:
What are the pleasures and difficulties in translating Camus into Farsi? Are these difficulties only linguistic, or are there philosophical and political challenges as well?
“Linguistically, the difficulty is in certain terms that he uses. Perhaps the most difficult term, which I have seen other translators struggle with too, is the word absurd. There is no direct translation of the word absurd into Persian. I have seen different approaches by Iranian translators — some even just use the transliteration of the word. His more philosophical works have been much harder to translate. I tried to read The Myth of Sisyphus in Persian, and it’s extremely hard to understand. This has been a general issue with translation of modern and Western philosophy into Persian. There is simply a shortage of terms, and the style had no tradition. There have been numerous efforts to invent new words, many of which have been successfully adopted, but it’s an ongoing process.”
SOURCE: Zaretsky, Robert. “Reading ‘The Stranger’ in Tehran: An Interview with Mohammad Hekmat.” Los Angeles Review of Books.