“Ahmed emphasizes the necessity of ‘disorientation,’ a challenge to normative ways of seeing, thinking, being, and feeling in the world that destabilizes commonsensical assumptions and in so doing enables the world to be moved in a different direction.”
Discussing the way reading black feminist and feminist of color scholarship in graduate school impressed upon her, she writes:
“I decided then: theoretical work that is in touch with a world is the kind of theoretical work I wanted to do. Even when I have written texts organized around the history of ideas, I have tried to write from my own experiences: the everyday as animation. In writing this book, I wanted to stay even closer to the everyday than I had before. This book is personal. The personal is theoretical. Theory itself is often assumed to be abstract: something is more theoretical the more abstract it is, the more it is abstracted from everyday life. To abstract is to drag away, detach, pull away, or divert. We might then have to drag theory back, to bring theory back to life.”
SOURCE: McMahon, John. “Sara Ahmed and the Cultural Politics of Emotion.” Do the Lap.